What occurred to Nashville and mainstream country music is our fault. Our collective fault due to the passive way we comply when our music devolves to a corporate advertisement rather than a human expression drawn from the drama of “real” life.
Lipstick on the Glass was our introduction to the Wolf Alice mileau. This extraordinary performance, artfully sound and light mixed is incandescent. The Alice Wolf experience begins now. The Wolf is at our door and we are willingly letting them in.
When the Summer of Love bloomed in San Francisco, Owsley Stanley’s name circulated with a mixture of awe and mystery. Behind the myth of the 1960s counterculture — behind the Acid Tests, the sonic experiments, the electrified nights — stood Stanley, a figure as pivotal as the more visible prophets of the time.
