
“Bahamas: Afie Jurvanen’s Quietly Captivating Groove from Canada to the World”
Afie Jurvanen didn’t choose the name Bahamas because he’s from a tropical island—he chose it because it felt like a mood. And since 2009, the Canadian songwriter has crafted music that’s as easygoing and intimate as its namesake. With warm grooves, wry lyrics, and deft guitar playing, Jurvanen has carved a quiet corner of indie rock that feels both breezy and grounded. Bahamas isn’t background music—it’s a slow, deliberate exhale in the chaos of modern life.
There’s something quietly captivating about Bahamas, the musical project crafted by Canadian singer-songwriter and guitarist Afie Jurvanen. For over a decade, Jurvanen has been making waves in music not with brash showmanship, but with a subtle, introspective charm. Known for his deft, understated guitar work and wry lyrical perspective, Jurvanen, who goes by the stage name Bahamas, has managed to create a niche for himself that feels like a warm invitation to a sonic escape.
Born in Barrie, Ontario, a working-class town nestled within Canada’s snowy landscape, Jurvanen is as far from the Bahamas as you might imagine. Yet, since 2009, he has carved out a sonic space that feels breezy and boundless. His music often touches on themes of sunsets, fleeting romance, and daydreamed getaways. The songs chart a path from Ontario’s snowbelt to somewhere warm and reflective—a place where heartache and humor meet with a crooked smile. His arrangements are deceptively simple, leaving space for listeners to settle into their own introspections while melodies float with a quiet elegance.
While Jurvanen’s vision is the foundation of Bahamas, he has been joined over the years by a talented ensemble: Christine Bougie on guitar, Don Kerr on drums, Mike O’Brien on bass, Felicity Williams on vocals, and the multi-Grammy-nominated producer Robbie Lackritz (Feist, Jack Johnson, Robbie Robertson). Together, they’ve helped lift Bahamas’ music to new heights, blending tight harmonies, clever rhythms, and a rich, atmospheric sound that has won over fans across the world.
Jurvanen’s latest album, Sad Hunk, embodies the next stage of his journey, capturing all the signature elements that have made Bahamas so beloved. The album’s title—and its playful, self-aware cover art—arose from a nickname his wife gave him after an out-of-character photo shoot. With this touch of self-deprecating humor, Sad Hunk dives into themes that are close to home, inspired by Jurvanen’s life with his family and his recent move from Ontario to the scenic coast of Nova Scotia. The album radiates warmth, sincerity, and a sense of ease, while still embracing Jurvanen’s signature wit.
Despite his relaxed demeanor, Jurvanen’s work ethic has brought significant success. With over three million monthly listeners on Spotify and songs like “Lost In The Light” nearing 100 million streams, Bahamas has built a devoted audience. The single “All the Time” from Bahamas Is Afie has garnered over 70 million streams, and the album Earthtones won the 2019 Juno Award for Adult Alternative Album of the Year while also receiving a Grammy nomination. Recognition came as early as 2015 when Jurvanen was awarded the Juno for Songwriter of the Year, solidifying his place as one of Canada’s most poignant and relatable songwriters.
On stage, Bahamas offers a unique experience, blending skillful musicianship with an approachable, almost conversational style that feels more like a gathering than a performance. Jurvanen’s easygoing demeanor and lighthearted humor draw audiences into his world, creating an atmosphere of shared enjoyment and genuine connection. His live shows are known for their immersive quality, with fans leaving not only entertained but with the sense that they’ve spent time with an old friend.
Jurvanen’s primary guitar, a well-worn Silvertone Jupiter, is emblematic of his minimalist aesthetic. Its mellow tone adds depth to his songs without overpowering them, allowing his voice—a soft, confident presence—and his lyrics to take center stage. While Jurvanen’s music shares a reflective quality with artists like Bon Iver, it avoids the weighty melancholy, opting instead for a balance of wry observations and heartfelt moments. This blend of light and shadow is what makes Bahamas so compelling; it’s music that invites you to relax, to smile, and to reflect, all in the same breath.
In a world often marked by over-the-top personas and high-energy spectacles, Bahamas offers something refreshingly different—a reminder that sometimes the quietest sounds speak the loudest. Whether you’re a new listener or a longtime fan, Jurvanen’s music welcomes you to linger, to laugh, and to find solace in the beauty of simplicity. For those who’ve yet to experience the magic of Bahamas, there’s no better time to dive in and get lost in the light.
Bahamas is the moniker for singer/songwriter/guitar virtuoso Afie Jurvanen. Afie isn’t from the Bahamas. He’s a Finnish-Canadian from Barrie–a working class town in rural Ontario.The Bahamas (band), the Canadian groove sensation from the Great White North is an essential listen. We discovered this artist thanks to the overwhelming enthusiasm for the same from the guitar teacher, YouTube host, Michael Palmisano.
The history of the band may be culled from Wiki. Here we focus on the vibe. The Vibe for the Bahamas is in the D.C. sweet spot. Let’s see if the tight harmonies and gentle rhythm have enough to sustain.
This year’s significant music discovery is the Bahamas, the ongoing project of Canadian singer-songwriter-guitarist Afie Jurvanen. The Bahamas (band) teeters between folk, rock, and pop, recorded and produced with a burnished sheen, occasionally moody like Bon Iver but mostly more upbeat and sometimes downright joyous. Jurvanen’s voice is soft and sweet and authoritative, his lyrics wry and poetic, his songwriting poignant and intelligent. The Bahamas Is Afie, his third release and first on Jack Johnson’s Brushfire Records label, came out earlier this year. Alfie is a creator of mood and vibe and an accomplished singer-songwriter and guitarist.
For his main guitar, Afie has been using a Silvertone Jupiter.
“Afie plays a 1960s Silvertone Jupiter and has for a while. At some point, he seems to have gutted the thing in favor of just a neck position pickup and an output jack. There is no need for those pesky potentiometers and pickup selectors to degrade the signal.”
Equipboard Explanation
Amp-wise, Bahamas uses a custom Tex Bernie amplifier, built by Toronto amp maker Anthony Teixeira. “Typically I don’t tour with a bass player so I like amps that are a little clean,” he says. “He made those Bernie amps and it was a little too fuzzy for my liking, so he made me this [custom] one and that’s what I play the most.” As of October of 2014, Bahamas has also been using a new Magnatone Twilighter on tour.
Bahamas – Earthtones (Full Live Concert)

Hold me, plain tee
Desert boots and white jeans, so clean
Old ways, long days
Lost inside my own maze, manmade
My own timezone
Life lived through some smartphone, full grown
Clean life, ex wife
Treats me like some dull knife
That ain’t right
My privilege is done
I don’t know that I can make a difference
My privilege is done
I don’t know that I can make a difference
Old pain, no name
It’s not hard to lay blame, blame game
Way back, white black
How’d we get so sidetracked?
There’s no slack
Lives crush, your sweet touch
Ignorant of so much, as hates clutch
Unfair, my share
Is this just class warfare?
Our fare share?
White privilege is dark
I don’t know that I can make a difference
White privilege is dark
I’ve always thought love can make a difference
My life, off white
Brought up by my own type, ain’t right
First-class, near passed
A life lived through some wine glass
That’s so crass
New me, I’m so free
Free from all my history
There’s no mystery
Sure love, no love
That’s what we’re in need of, real love
Ok.. WOW.. I Just Found A New Favorite Band…From Canada (of course)
Michael Palmisano
https://www.coolmediallc.com/ali-farka-toure-and-ry-cooder-aidu-du/
Why Bahamas needed D’Angelo’s band to create Earthtones
Bahamas (aka Afie Jurvanen) sits down to debut some tracks off his new album Earthtones. He reveals why he chose D’Angelo’s band to play on the new record and talks about why he uses music as a form of therapy.

Bahamas:: Full Liveset Session from SXSW
Bahamas is the solo project of Toronto-based guitarist Afie Jurvanen who has shared the stage with both Wilco and Feist. Jurvanen’s stripped-down and contemplative sound focuses mainly on his voice and guitar – including quiet, indie-folk meditations. Bahamas latest record, Barchords, was released through Brushfire Records — a label started by Jack Johnson. In this session, Afie and his group of talented singers (Carleigh Aikins and Felicity Williams) and lone maracas player (Jason Tait) demonstrate why they were named by SPIN and The New York Times of the highlights of SXSW 2012. Please follow us for updates @liveset, or subscribe to our channel. Produced by Ben Lavender, Rachel Puckett, and Ross Hinkle for Liveset. Audio recorded and mixed by Fifth Street Studios. Shot by Hunter Holder. Edited and graded by Ross Hinkle. Special thanks to Bahamas and their team.
Already Yours 1:34 Lost in the light – 4:25 Caught me Thinking – 8:18
I Got You Babe – 12:32 All Apologies – 15:53 Hockey teeth – 18:17 Never Again – 21:03 Tenth Avenue Freeze-out – 25:50

Bahamas live at Paste Studio NYC

Felicity and Afie singing dual leads and harmonies, so damn talented. She has so much control, hitting such perfect pitches without belting it out takes so much control. Great band!

Bahamas – All The Time

Bahamas – Way With Words (Live From Jimmy Kimmel Live! / 2018)
The music video by the Bahamas performing Way With Words was filmed on January 24th, 2018, El Capitan Theater in Hollywood, CA. © 2018 Barchords Inc., under exclusive license to Brushfire Records.
Music in this video
Song
Way With Words
Artist
Album
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I did a double-take while watching the first few minutes of this video while the camera pans over the musicians, asking, is that “James Gadson, in the drummer seat”? James Gadson of the Use Me Bill Withers brings in the funk, period. Yes, and for more cred, look at the bass player Giuseppe Henry “Pino” Palladino: experience, tenure, cred, and abundant respect.

Bahamas || Live @ 885FM || “No Expectations”
Bahamas || Live @ 885FM || “No Expectations” || 01.25.18 Recorded and Mixed at 885FM KCSN Southern California By Tristan Dolce & Matt Blake
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